The people are awaiting someone special. Someone special is born: a grown man in a suit.

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The lawyer Emil Fencl (Otomar Krejca) has retired and returns from his countryside place of work to Prague, to his own villa inhabited by his nephews - Karel with his wife Jitka and the single Michal. On the train, he meets a pleasant criminologist named Kudrna (Karel Höger). Michal (Jan Tríska), a not too successful motorcycle racer, picks up his uncle at the railway station. From their conversation it becomes obvious that he is very jealous of Karel, a successful scientist who is soon to leave for a congress in the United States. Upon their arrival at the villa, there is a tragedy. Pressing the doorbell causes a gas explosion and a subsequent fire. Karel is found dead in his study. It seems that he himself took his life. The investigator, Captain Kudrna, finds out that Karel had just discovered the new element luridium and had no reason to commit suicide. Despite this, all attempts to prove foul play fail.

The offstage lives of four club performers who are staying in the same guest house and rubbing their illusions and disillusions together after-hours.

Remarkable footage of a Barcelona anti-austerity demonstration – and its quelling – shaped into a lyrical tribute to the spirit of protest by Victor Kossakovsky ( ¡Vivan las Antipodas!) and 32 Spanish film students.

This real-life series follows the lives of Calli, Kendra, Megan and Sarah -- 17-year-old, vivacious, hellacious identical auburn-haired quadruplets. Everyday joys and headaches assume four times the fun -- or pressure -- as the girls navigate their senior year of high school juggling boys, class work, jobs, gossip, sports, prom, and what lies ahead.

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

Two gunmen prepare for a jewelry heist, unaware that they're about to change six lives forever.

Salesmen Alan,Ian,Tim and the pushy Tony are on a plane on their way to a sales conference. Alan joins the mile high club with a model in the toilet but Tim is annoyed that he is two air miles short of joining the others in club class. On arrival in North Africa they decide to charter a plane rather than face a fifteen mile coach journey to the conference but the pilot collapses and dies and they crash land in the desert. After several efforts to try and get off the ground they decide to kill each other,unaware that they are not far from a beach resort.

Four salesmen Alan, Ian, Steve and Tim are on their way to a conference where only one of them is guaranteed promotion. There is much bickering, Steve is perpetually sick and gets put in the boot, the C.D. player jams and they have a run-in with a Range Rover driver. When the car breaks down in a snowstorm they wind up in a deserted cottage with a shotgun-wielding, diabetic woman.